fbpx

11 of The Best Compressor Plugins

This page contains affiliate links, meaning I get a commission if you purchase through links on my site, at no additional cost to you. Find out more here.

A collage of various audio compression hardware units and software interfaces, featuring brands like Universal Audio, Waves Audio, and Shadow Hills Industries, showcases an array of knobs, dials, meters, and other controls used in audio signal processing.

In every great audio engineer’s arsenal, you’ll perhaps find one tool far more common than others.

That tool is the compressor.

In the 1930s, when the compressor was invented, it was initially made to control audio signals in broadcast chains, ensuring they didn’t “overmodulate” or distort. Eventually, audio engineers realized they could use compression for other more musical endeavors, from controlling the transients on drum tracks to fitting singers into the pockets of mixes by limiting their dynamic range. 

Over the years, compressor units evolved to suit various styles and tonalities. Eventually, famous hardware units, including tube compressors, optical compressors, FET compressors, and others, became digitized for use in the box.

You likely won’t hear a song made in the past half a century that didn’t use a compressor. While you could certainly use your stock DAW compressor for any dynamic range limiting, premium compressor VST plugins offer a distinct sound quality and style. Often imparting more sonic character to your music productions.

However, with so many compressor plugins available, finding the best compressor plugin for your production and mixing style can be tricky. That’s why I’ve compiled a list of the best compressor plugins (in my professional opinion) to help you optimize your dynamic arsenal.

Summary of the Best Saturation Plugins:

FabFilter Pro C2Highly versatile digital compression plugin, that’s easy to use. A Music Prodthat’s workhorse.
Empirical Labs ArouserVersatile and with tons of color.
Universal Audio Empirical Labs Distressorgreat sounding distortion modes and extreme ratio settings for controlling and sculpting your sound.
IK Multimedia Black 76Classic compression and limiting from a timeless FET-based compressor.
Softube CL 1BCharacterful yet versatile optical compression.
Waves CLA-2AEmulation of the classic LA 2A electro-optical tube compressor.
Waves API 2500is a classic mix bus compression plugin. Providing great glue and character to drums and sub-mixes. Great value, too.
Waves SSL G Master buss compressorThe go-to compressor for the mix buss. An emulation of the SSL console’s master buss compressor. Excellent for gluing mixes together.
UAD 1176 Classic Limiter CollectionA painstaking emulation of the legendary 1176, the most popular compressor ever made.
Soundtoys Devil-Loc DeluxeSimple compression combined with dark saturation to provide characterful dynamic control.
Shadow Hills Mastering CompressorExacting emulation of the original Shadow Hills Mastering Compressor. Perfect for mastering the mix buss – often at reduced cost, which is a bargain.

Related Article: Best Plugins for EDM


A screenshot of the FabFilter Pro-C2 compressor plugin interface depicts knobs for threshold, ratio, attack, release, and knee among other controls. A graph presents the audio waveform alongside gain reduction levels. Meters situated on the right-hand side indicate input, output, and gain reduction levels.

1. FabFilter – Pro C2


View at: Pluginboutique

System Requirements:macOS 10.12 or higher, Windows 11, 10, 8, 7, or Vista (32 or 64-bit)
Plugin Format:VST2, VST3, AU, AAX Native
Best Deal:View at: Pluginboutique
Pros:Simple Design & Layout
Transparent Sound
Highly Versatile
Cons:None – unless you are looking to color your sound.

The FabFilter Pro-C2 is a solid favorite. Offering versatile, transparent compression, it will handle any production job you throw at it. It’s the default compressor of my setup for a reason: it sounds great and is really easy to use. Unique in this list of best compressors because it’s not based on a classic hardware unit; Instead, this uber-flexible digital-style compressor provides clean, transparent dynamic control with many modern features.

The user interface is stunning, and the spectrum analyzer makes it easy to see precisely how you’re processing your signal. Though this compressor doesn’t emulate any specific units, it offers five different styles of compression for different uses, including:

  • Vocal – Great for bringing your vocals to the front of a mix.
  • Mastering – Offers super transparent compression without harmonic distortion to keep mix integrity intact. 
  • Bus – A choice option for glue, especially on drum busses. 
  • Punch – Offers a more traditional style of analog compression. 
  • Pumping – Introduces over-the-top pumping artifacts suitable for EDM. 

Of course, just because these styles are recommended for specific use doesn’t mean you can’t experiment with them in different situations, too. Whenever I need a transparent compressor, I reach for the C2, it’s one of the best compressor plugins I’ve used.

Related: Best Free Saturation Plugins

Screenshot of the "Arousor by Empirical Labs" is displayed, featuring knobs for adjusting input, attack, release, ratio, and output among other parameters. The interface also includes various buttons and a graphical display designed for fine-tuning audio compression settings.

2. UAD Empirical Labs – Arouser

Modern Classic is now available as a plugin


View at: Sweetwater

System RequirementsmacOS10.8.5 or later, Windows 7 SP1 or later
Plugin FormatVST, AU, AAX
BEST DEALView at: Sweetwater
ProsAmazing sound – strong character imparted into audio.
Great Saturation.
ConsFairly Expensive

Though Empirical Labs might be best known for developing the Distressor, which we’ll discuss next, it’s the Arouser that’s become the plugin very few of my sessions go without. 

If you’re familiar with the Distressor, the interface on the Arousor will look super familiar to you with its horizontal ratio layout, black faceplate, and massive white knobs. However, Empirical Labs added some cool new features that make it all the more unique. 

For starters, they added an Attack Modification knob, which changes the way the attack parameter reacts, offering a unique take on the snappy attack that the Distressor already provides. It’s excellent for drums, allowing heavy compression whilst maintaining transients. 

You’ll also find a few other features, including several harmonic saturation presets, a detection high pass filter, and a detector sidechain. While you won’t get the same coloration as with the Distressor; it’s still one of the best comproser plugins I’ve used.

Related: The Best Synth Plugins


Plugin Boutique Banner with images of plugins and text. Text reads "Exclusive Plugin Deals, Upto 95% off, see deals"


Screenshot of "Distressor" by Empirical Labs showcases various controls, including input, attack, release, output, and mix knobs. Also visible are LEDs for gain reduction and ratio settings. The device features switches for HP, Dist, link, detector, and audio functions.

3. UAD Empirical Labs – EL8 Distressor

Beautiful saturation & compression plugin


View at Pluginboutique
View at Thomann

System Requirements:macOS 10.10 or later macOS 10.15 Catalina, 11 Big Sur, 12 Monterey, 13 Ventura; Windows 10 or 11 (64 Bit only)
Plugin Format:VST, AU, AAX
Best Deal:View at Pluginboutique

View at Thomann
Pros:Excellent Distressor Emulation
Parallel compression control.
Sounds Badass.
Cons:Maybe too stylized for some.

When Dave Derr developed the UAD Empirical Labs Distressor almost a few decades ago, it became a go-to for many producers and engineers who wanted a thick, gritty, heavy-handed compression style. It wasn’t available as a VST until the team at UAD paired up with Dave to create the plugin version.

One of the main advantages of the Distressor is the ultra-fast attack time, which allows you to shape transients with aggression and add a little harmonic distortion along the way. The plugin features variations in compression ratios — 1:1, 2:1, 3:1, 4:1, 6:1, 10:1, 20:1 and Nuke. You can use the 1:1 ratio to warm up synths without compression while adding musical harmonics gently. The Nuke setting is highly aggressive, providing explosive excitement to parallel compression or your entire mix.

What makes the Distressor stand out is its iconic Dist 2 and Dist 3 modes that provide a broad palette of compression textures. They let you shape audio signals with even or combined even/odd-order harmonic distortion. This helps thicken up and color your sound.

It’s worth noting, however, that the Distressor is not every genre’s cup of tea, and if you’re looking for transparent compression, it’s certainly not the best choice. It is, however, a killer piece of software for breathing life into drums or other transient heavy instruments. This is the compressor plugin for adding grit to a sound without an additional saturation plugin.

I like to use it for parallel compression on drums. The Distressor has such a heavy compression ratio setting (‘Nuke”) that it slams the signal, providing punch to your audio tracks.

Related: Best EDM Plugins


Screenshot of a T-RackS Black 76 limiting amplifier is displayed, showcasing input and output knobs, a central VU meter, attack and release knobs, and various buttons for settings. The unit's sleek black design is complemented by an illuminated red button on the right.

4. IK Multimedia – Black 76

Faithful emulation of the 1176 hardware compressor


View at IKMultimedia

System Requirements64-bit only. MacOS 10.10 or later, 4GB RAM min, Windows 7,8 & 10
Plugin FormatVST2, VST3, AU, AAX
BEST DEAL
View at IK Multimedia
ProsA solid replication of the 1176 hardware compressor.
Very Easy to use
ConsLacks parallel compression knob

There are endless 1176 plugin emulations out there. After using many of them throughout the years, I’ve landed on one I like: Black 76 Limiting Amplifier from IK Multimedia. The original 1176 hardware compressor is probably one of the industry’s most recognizable units and has been used on countless records throughout music history. 

Though there are many versions of this iconic FET compressor, the team at IK Multimedia decided to emulate the LN Revision E version, as it probably has the most recognizable sonic character of the bunch. 

You get all the same features as the original, including the lightning-fast attack time, and the gritty “all buttons in” mode for extreme compression. This helps the plugin come very close to emulating 1176 hardware. An ideal compressor from bass, vocals, and drums to brass; it works on just about anything that can benefit from a healthy dose of compression.

Also available in the T Racks 5 bundle via Splice on Rent to own here.

Related: 100+ Free Effect Plugins


Related: Best Free Synth Plugins

Screnshot of The blue Tube-Tech Compressor CL 1B, adorned with various knobs for output volume, ratio, threshold, attack, release, attack/release selection, and sidechain bus select control. The device includes a VU meter prominently displayed and a single red light indicator to monitor signal levels. The branding proudly states "Lydkraft Denmark.

5. Softube – CL 1B

Classic tube compressor


View at: Pluginboutique

System Requirements:OS X 10.12 or later; Windows 7 or later
Plugin Format:VST2 & VST3, AU, AAX
Best Deal:View at: Pluginboutique
Pros:Great sonic character.
Flexible Attack / release modes.
Cons:Expensive

The Softube Tube-Tech CL 1B is a tube and transformer design based on the iconic and award-winning optical compressor from Tube-Tech. The Tube-Tech team worked alongside Softube to ensure the plugin emulation met the standard of their prized hardware unit. The result is a beautiful recreation of the CL 1B compressor limter.

The CL 1B offers a warm and mellow compression, with a ‘musical sound’. The controls are pretty straightforward: attack, release, threshold, and ratio with a manual makeup gain. The CL 1B has three attack/ release settings:
Manual‘ is the standard mode, the attack and release times set by the respective knob positions.
Fixed’ mode sets Attack time to 1 ms and Release time to 50 ms.
Fixed /Manual’ mode the Attack time is set to 1ms and the release time is variable.

A fantastic compressor plug-in that can subtly control dynamics and impart delightful audible color. Although expensive, it comes in at a much lower price than buying the hardware unit!


Related: Free Ableton Packs

Screenshot for the Waves Audio LTD CLA-2A compressor showcases gain and peak reduction knobs positioned on either side of a central VU meter. Included are switches for analog settings and limiting options, along with buttons for power and a toggle dedicated to high-frequency emphasis.

6. Waves – CLA-2A

Super simple classic compressor plugin

View at Thomann

System Requirements:Mac OS (64 Bit): 10.15.7 or later & Windows 10 or later (64 Bit)
Plugin Format:AU, AAX, VST2, VST3
Best Deal:View at Thomann
Pros:Classic tube compressor sound.
Great value.
Cons:Not enough control for some

Beyond the 1176 FET compressor, the LA-2A is one of the few hardware compressors to reach legendary status. It might be the most well-known optical compressor in history, offering warm and musical tube compression.

It’s one of my favorite compresses for adding ‘character’ to tracks, primarily due to its slow attack and release settings.

Plugin Boutique Banner with images of plugins and text. Text reads "Exclusive Plugin Deals, Upto 95% off, see deals"

Though Universal Audio was the original developer of the hardware unit and eventually emulated it in a Teletronix plugin bundle for in-the-box producers, I recommend checking out the one from Waves.

It’s a much less expensive version, yet it offers the same 50s-style sound and ease of use. Plus, it’s easygoing on the CPU, so you can use multiple instances even when running an older computer.

I use the CLA-2A compressor plugin on vocals more than anything else, especially if I go for a smoother and more natural compression style. Like most optical compressors, you can dial in a pretty heavy level of gain reduction without squashing the dynamic range out of an audio signal.


Related: The Best Electronic Music Production Books

The API 2500 Compressor plugin interface showcases VU meters prominently, accompanied by controls for threshold, attack, ratio, and release settings. Additional adjustments include options for tone and link settings. The interface is also equipped with an analog on/off switch and a large red output knob.

7. Waves – API 2500

One of the best mix buss compressor plugins available


View at: Pluginboutique

System Requirements:Mac OS (64 Bit): 10.15.7 or later & Windows 10 or later (64 Bit)
Plugin Format:VST, AU, AAX
Best Deal:View at Plugin Boutique
Pros:Versatile compressor.
Desirable coloration.
Cons:None

The Waves API 2500 provides you with compression no matter what style you need. Over the years, it has become a top choice in studios due to its accurate VCA technology, perfect for whether you need to pull more tone or punch out of your audio signals.

Onboard, you’ll find three different tone styles, three unique variable types, and tons of parameters for dialing in any compression you could imagine, all while adding a little bit of analog warmth to your sound. 

The variable stereo link allows you to use two-channel operation, and the three distinct new settings allow dialing in how responsive you want the compression to be to the incoming signal. 

While this compressor has infinite uses, I often find myself adding it to the drum buss for a little bit of added punch and glue, as well as individual kick or snare drums. It also works wonders on a mix, putting elements in their place and allowing drums to punch through.

Keep your eyes out for this plugin on sale, as it’s well worth the investment.


Related: Best Free Reverb Plugins

The interface of Solid State Logic's G-Master Buss Compressor plugin showcases controls for threshold, attack, release, ratio, make-up gain, and a compression meter. At the bottom of the interface are buttons labeled In, Analog, and Fade Off.

8. Waves – SSL G Master buss compressor

Glue Compressor powerhouse taken from the SSL 400 console


View at Thomann

System Requirements:macOS 10.15 Catalina – macOS 12 Monterey; Windows 7 – Windows 11
Plugin Format:VST2 & VST3, AU, AAX
Best Deal:View at Thomann
Pros:Classic glue compression from the buss compressor of the SSL 4000 console
Reasonable price
Cons:None.

Mastering engineers will often stick compressor plugins on their mix busses to give their mixes glue and cohesion. Mastering is one of the instances where the Waves SSL G Master Bus Compressor comes in handy. It was taken from the mastering portion of the famed SSL 400 G Console and was developed by Waves in conjunction with the team at SSL to provide in-the-box mixers with all the same magic as the original.

If you want more vintage character from the plugin, you can initiate the analog-modeled hum to add a little noise. Be careful with applying this, as it can add unwanted noise to your mix.

Beyond mastering, it’s another go-to compressor when I need to add punch to my drums. It does an excellent job at squeezing dynamic range without compromising the low end.


Related: Free VST Drum Machines

Three Universal Audio 1176 limiting amplifiers are stacked vertically, showcasing different finishes: the top one in silver, the middle in blue, and the bottom in black. Each amplifier comes equipped with a VU meter, knobs for ratio, attack, and release settings, as well as meters for gain reduction and output level.

9. UAD – 1176 Classic Limiter Collection

Straight forward limiting and compression


View at: Pluginboutique

System Requirements:macOS 10.15 Catalina, 11 Big Sur, 12 Monterey, 13 Ventura & Windows 10 or Windows 11 (64-bit only Editions)
Plugin Format:VST, AU, AAX
Best Deal:View at Plugin Boutique
Pros:Great results on a wide source of material
Easy to use
Cons:A little expensive for some.

Many decades ago, Bill Putnam designed what would eventually become one of the most iconic hardware compressors ever, the 1176. It was the first compressor featuring solid‑state circuitry and an ultra-fast 20-microsecond FET gain reduction.

The 1176 is known for its aggressive style of gain reduction, and the UAD emulation of this compressor gives you access to three different digital compressors in one. The first type is the Bluestripe Revision A, which is based on the initial Putnam 1176 design and offers ultra-fast attack and release times, perfect for slamming drums and other transient-heavy instruments.

We also get access to the Revision E version of the plugin, which is a much more transparent compressor plugin than its cousin, offering low-noise operation and a warmer overall tone.

The third compressor VST plugin in the collection is the UAD AE (Anniversary Edition), which offers subtle gain reduction with lower compression ratios. This collection provides some of the best compressor plugins for both heavy and transparent gain reduction, and the Bluestripe alone is probably used on every mix I do.

Related: The Best Effect Plugins


Screenshot of Devil-Loc Audio Level Destroyer by Soundtoys showcases a red panel encased in a wood-textured border. It features four large control knobs labeled Crush, Crunch, Darkness, and Mix. At its center lies a button for adjusting the release speed between Slow and Fast.

10. Soundtoys – Devil Loc Deluxe

Extremely crunchy characterful compression


View at: Pluginboutique

System Requirements:macOS 10.12 Sierra and later (Intel / M1  / M2 Apple Silicon supported) (64-bit only), Windows 7 and later (64-bit only)
Plugin Format:AAX, VST 2, VST 3, AU
Best Deal:View at: Pluginboutique
Pros:Great value!
Ability to shape the tone and character of your sound.
Cons:Great value!
Ability to shape the tone and character of sound

Soundtoys is one of my favorite plugin developers as the company offers some of the vibey-est, vintage-style effects plugins on the market. Though the developers might be best known for their legendary Echoboy delay and Decapitator saturation plugins, the Devil-Loc Deluxe deserves the same love.

It takes inspiration from the quirky 1960s Shure Level-Loc hardware unit, initially used on public address systems to limit dynamic range. Not only did Soundtoys give the compressor a total facelift, but they also added a few unique parameters to the original, which only had an input level knob, a distance selector, and a bypass switch.

Whenever your tracks need an extra dose of attitude, you have a Crunch knob for distortion, a Crush knob for squeezing the life out of your signal, and a Darkness knob for when you want to take your audio signal into the depths of the underworld.

The Devil-Loc Deluxe is not one of your average compressor plugins. Still, with its heavy-duty style of compression and saturation, it’s an ideal choice for controlling dynamic range whilst adding a little bit of chaos.

11. Brainworx – Shadow Hills Mastering Compressor

Excellent control and versatility

View at: Pluginboutique

System Requirements:macOS 10.11 – macOS 12 Monterey (Apple Silicon Supported except for AAX); Windows 8 – 11
Plugin Format:AAX DSP, AAX Native, VST2, VST3
Best Deal:View at: Pluginboutique
Pros:Lots of processing options.
It’s also suitable for individual instruments and buss mixes.
Cons:At the sale price of £30, none.

The Shadow Hills Mastering Compressor has long been my trusty sidekick for audio mastering. This plugin is a meticulously modeled emulation of the hardware mastering compressor by Shadow Hills.

The Class A allows for three different compression styles with different coloration, including Steel, which provides a touch of harmonic saturation; Iron, which smooths out the top end; and Nickel, which boosts the midrange.

The Shadow Hills features two compression stages. The first is an ‘Optical’ processor, providing basic Threshold and Gain controls; this is followed by the VCA compressor, labeled ‘Discrete’ on the paneling. The VCA provides more comprehensive Ratio, Attack, and Recover dials alongside its own Threshold and Gain controls. This gives you a lot of versatility over how your audio will be processed. You can process using the twin compressors in series or independently. This flexibility allows the Shadow Hills Mastering Compressor to be used on various sound sources – not just as a mastering compressor. This makes the Shadow Hills a highly versatile compressor, capable of tackling individual instruments, mix busses as well as taking care of mastering duties/

If you’re looking for a compressor that provides professional sound quality and transparent compression over entire mixes, then the Shadow Hills Mastering Compressor is one of the best digital compressor plugins around. Available at around $/£30, a great bargain considering the hardware unit is over $/£10k!


Free stuff – A page dedicated to free VST plugins, Ableton Live Packs, and templates.
The Best Plugins for EDM
The Best Saturation Plugins
The Best Compressor Plugins
The Best Synth Plugins
The Best Effect Plugins

FAQ

u003cstrongu003eWhat does a compressor plug in do?u003c/strongu003e

Compressors are used to lower the loudest peaks and boost the softer parts of an audio signal. They do this by compressing the audio signal, which they do by reducing its dynamic range. This ensures a more consistent, balanced, and manageable sound. u003cbru003eCompressors are often used throughout a track to create cohesion and smooth out dynamics. Careful compression will make your tracks sound thicker and well-balanced and avoid jumps in volume. They can also be used creatively to add punch and color to a sound. If you aim to create professional-sounding mixes, mastering the compressor is necessary.

u003cstrongu003eWhat is the best compressor plugin?u003c/strongu003e

Ultimately, it depends on the use of the compressor, different compression styles are used for different music production jobs. As a quick guide, the u003cstrongu003eu003ca href=u0022https://thevelvetshadow.com/go/fabfilter-pro-c2u0022 data-type=u0022linku0022 data-id=u0022https://thevelvetshadow.com/go/fabfilter-pro-c2u0022u003eFabFilter Pro C2u003c/au003eu003c/strongu003e is a great value, versatile compressor used by many music producers.u003cbru003eIf you are after warmth and adding a bit of color to your audio tracks then the Universal Audio u003cstrongu003eu003cta linkid=u00228095u0022 href=u0022https://thevelvetshadow.com/go/emp-labs-distressor-pibu0022u003eEmpirical Labs Distressoru003c/tau003eu003c/strongu003e, u003cstrongu003eu003cta linkid=u00228093u0022 href=u0022https://thevelvetshadow.com/go/emp-labs-arouser-swu0022u003eEmpirical Labs Arouseru003c/tau003eu003c/strongu003e, u003cstrongu003eu003cta linkid=u00228103u0022 href=u0022https://thevelvetshadow.com/go/soundtoys-devil-locu0022u003eSoundtoys Devil-Loc Deluxeu003c/tau003eu003c/strongu003e and u003cstrongu003eu003cta linkid=u00228099u0022 href=u0022https://thevelvetshadow.com/go/softube-cl-1bu0022u003eSoftube CL 1Bu003c/tau003eu003c/strongu003e will help you achieve professional sound quality.u003cbru003eIf you’re looking for a classic compressor plugin, then theu003cta linkid=u00228098u0022 href=u0022https://thevelvetshadow.com/go/ik-multimedia-black-76u0022u003e u003cstrongu003eIK Multimedia Black 76u003c/strongu003eu003c/tau003e, u003cta linkid=u00228106u0022 href=u0022https://thevelvetshadow.com/go/waves-cla-2au0022u003eu003cstrongu003eWaves CLA-2Au003c/strongu003eu003c/tau003e, andu003cta linkid=u00228101u0022 href=u0022https://thevelvetshadow.com/go/uad-1176-collectionu0022u003e u003cstrongu003eUAD 1176 Classic Limiter Collectionu003c/strongu003e u003c/tau003ewill do the trick.u003cbru003eIf you want to glue things together on your mix buss, look at the u003cstrongu003eu003cta href=u0022https://thevelvetshadow.com/go/waves-api-2500u0022 linkid=u00228100u0022u003eWaves API 2500u003c/tau003e, u003cta href=u0022https://thevelvetshadow.com/go/waves-ssl-bussu0022 linkid=u00227973u0022u003eWaves SSL G Master buss compressou003c/tau003eru003c/strongu003e, and the u003cta href=u0022https://thevelvetshadow.com/go/shadow-hills-mastering-compressoru0022 linkid=u00228105u0022u003eu003cstrongu003eShadow Hills Masteringu003c/strongu003e u003cstrongu003eCompressoru003c/strongu003eu003c/tau003e plugins.

u003cstrongu003eHow do I choose a compressor pluginu003c/strongu003e?

Do you want to compress your signal or add some color to it? If you only want compression, then a transparent compressor is for you. If you want your compressor plugin to bring in some color and vintage warmth to your music production, then opt for the colorful compressor. u003cbru003eConsider what production jobs you plan to use it for; for example, if you plan to use your compressor to mix EDM Bass u0026amp; Kicks, then having a side chain option will help. If you want fast attack times for working with percussive elements? Or if you aren’t confident using a compressor yet, perhaps you want to opt for one that comes loaded with presets. u003cbru003eu003cbru003eAnother thing to consider is if you’re going to compress individual tracks, or a mix buss? If it’s the latter, you’ll want a mix buss compressor.

What are the different types of Compressor plugins?

s a quick guide, we can break down compressor plugins into two categories; mix buss compressor plugins and compressors for individual audio signals.u003cbru003eWithin these two categories are seven different compressor types: VCA, FET, optical, tube, digital, Vari Mu and PWM.u003cbru003eu003cstrongu003eFET compression:u003c/strongu003e is great on percussion, vocals, and where you need fast and aggressive gain reduction.u003cbru003eu003cstrongu003eVCA Compressor plugins: u003c/strongu003eprecise control of compression settings. It has adjustable attack and release settings, flexible ratio settings, and accurate metering.u003cbru003eu003cstrongu003eOptical compressor: u003c/strongu003eoptical compression preserves the sound’s natural dynamics while maintaining subtle control. Transparent gain reduction and a natural sound. Great for vocal compression.u003cbru003eu003cstrongu003eTube Compressors:u003c/strongu003e impart a warm, classic sound by gently distorting the compressed signal.u003cbru003eu003cstrongu003eVari Mu Compression u003c/strongu003e- Vari Mu compressors can sound wonderfully round, warm, full, and weighty, often without sacrificing audio detail.u003cbru003eu003cstrongu003ePWM Compressor vst plugins: u003c/strongu003ePulse width modulation compressor vst plugins are less well known, but still used.u003cbru003eu003cstrongu003eDigital compressors: u003c/strongu003eThose that don’t emulate hardware offer precise control, transparent compression, a wide range of ratio settings, attack and release times, sidechain options, and advanced metering. Essential tools for music producers.

What is the most versatile compressor VST?

u003ca href=u0022https://thevelvetshadow.com/go/fabfilter-pro-c2u0022 data-type=u0022linku0022 data-id=u0022https://thevelvetshadow.com/go/fabfilter-pro-c2u0022u003eFabFilter Pro C2u003c/au003e has many features and a wide range of compression styles and settings, making it an essential tool for most music production jobs.

What is the best VCA compressor plugin?

The most well-known VCA compressor is the u003cstrongu003eu003cta href=u0022https://thevelvetshadow.com/go/waves-api-2500u0022 linkid=u00228100u0022u003eAPI 2500u003c/tau003eu003c/strongu003e, taken from the SSL (Solid State Logic) consoles. It can be used as a buss compressor or on individual sources. Waves have emulated the hardware with their u003cstrongu003eu003cta href=u0022https://thevelvetshadow.com/go/waves-api-2500u0022 linkid=u00228100u0022u003eWaves API 2500u003c/tau003e u003c/strongu003ecompressor plugin.

What is the best glue compressor plugin?

u003cta href=u0022https://thevelvetshadow.com/go/waves-api-2500u0022 linkid=u00228100u0022u003eu003cstrongu003eWaves API 2500u003c/strongu003eu003c/tau003e u0026amp; u003cta href=u0022https://thevelvetshadow.com/go/waves-ssl-bussu0022 linkid=u00227973u0022u003eu003cstrongu003eSSL Master G Bus compressoru003c/strongu003eu003c/tau003e plugin will do wonders for your mix buss, as will the u003cta href=u0022https://thevelvetshadow.com/go/shadow-hills-mastering-compressoru0022 linkid=u00228105u0022u003eu003cstrongu003eBrainworx Shadow Hills masteringu003c/strongu003eu003c/tau003e compressor.

Leave a Comment

Your email address will not be published. Required fields are marked *